Posts

Dean Sameshima – being alone

“Evans’s subway photographs of 1938-41 are a bundle of contradictions.…

Connor Sewell — The Ilford Catalogue

The seemingly irreconcilable space between photography’s uncompromising…

The limits of documentary photography – Will Warasila’s Quicker than Coal Ash

As a lecturer in documentary photography, there is one particular…

Jamie Murray – Folly

I had wanted to write about Folly, the debut book by Jamie Murray,…

Curran Hatleberg – River’s Dream

Curran Hatleberg’s River’s Dream (TBW, 2022) is…

A Portrait that has Nothing to Prove

... what I am intrigued by is her presence in this portrait,…

Rick Schatzberg – The Boys

A certain portion of our early adulthood is marked by a sense…

Moyra Davey & Peter Hujar – The Shabbiness of Beauty

Late last year on C4 Journal I wrote about my appreciation of…

Emma Phillips – Send Me a Lullaby

Commissioned as part of Melbourne’s inaugural PHOTO2021 festival,…