Posts

756 – On Running and Anders Edström’s Shiotani

Change is felt through repetition. If I run once and never again,…

Aglaia Konrad – Japan Works

In the same way that we tend not to think of novels as archives…

DAILY WORKS: An interview with Narumi Hiramoto・平本成海へのインタビュー

CHROMATIC ANGULAR CACOPHONY:
Kenta Cobayashi’s Everything 2

Professional photographers are typically trained to hide the…

On Founding Festivals And Publishing Photobooks: An Interview With Erin Cross | 写真祭の創設と写真集の出版について： 絵凛クロスへのインタビュー

Feiyi Wen 文非易 – Under The Yuzu Tree・Wood, Water, Rock

I met Wen at The Photographer’s Gallery in early 2020.…

Yukari Chikura – Zaido

Zaido is a book that is best sat with and read multiple times…

Photography Is Imagination: an interview with Koji Kitagawa

Koji Kitagawa works in Tokyo, Japan, and is best known as one…

Shinya Arimoto – Tibet

One of the reasons Shinya Arimoto’s Tibet rings so true for…

Mao Ishikawa 石川真生 – Red Flower, The Women of Okinawa 赤花、沖縄の女

Published in 2017, Red Flower 赤花 consists of photographs shot between 1975 and 1977 in Kin and Koza, two towns in Okinawa, Japan. Though most of the images are from Ishikawa’s 1982 debut “Hot Days in Camp Hansen”, Red Flower also shows unpublished images from this same period.